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no season — only structure
It captures the moment Mondrian moved from natural observation toward a purely geometric visual language
structured leaves complete a composition that feels ceremonial in its composure
The flat colour fields and bold outlines of Nicholas's style translate with full fidelity as a fine art print built to last
Pot de fleurs (1922) by Georges Valmier Kuriosis Original no season — only structureIn Pot de Fleurs (1922), Valmier reduces a simple domestic subject a flower pot to its essential pictorial energy. Petals, leaves, and stems are reconstituted as overlapping curves and flat colour planes, vibrating against one another in warm, high keyed tones. The composition is intimate in scale yet forceful in presence, the floral motif serving as a vehicle for pure rhythmic invention. It exemplifies Valmier's mature approach: rooted in observed